Rebekah Frank


These necklaces exist in two ways: on the body as jewelry and on the wall as drawings.

The work reinvents itself when the linear structures of the metal come in contact with the curves of the flesh.

The form delineates space, the body animates the work.

The work transforms from ethereal to physical, static to dynamic, imprinting itself on both body and wall to reveal
the enlivened fluidity of steel.