I have an innate fascination with geometric forms and the line.

There is a delicacy in the line and in the structure; in spite of the geometry and material, these are not hard pieces.

The pieces can exist in two ways: on the body as jewelry and on the wall as drawings. The work is very quiet when it is on the wall, the way the pieces might hang on the body isn’t immediately apparent. That the pieces can exist on the wall is important to me. I find the jewelry box a place of exile.

The work is complicated by the body when worn, when the linear structures come in contact with the curves of the flesh. Several pieces can be worn in different ways, each variation changing the dynamic of how the piece interacted with the body, the personality of the piece.

The body animates the work.